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Cleopatrea 1963 Movie Set Piece








Recently I have been going through a closet of mine and ran across this lovely carving which is said to be part of the 1963 "Cleopatra" movie set. With neither the patience to sit through the movie nor a mark, I purchased the piece based on its artistic merits. I was wondering if someone could verify that it was used in the movie and provide me a film still to verify.

Some information about the movie:

Cleopatra is a 1963 British-American-Swiss epic drama film directed by Joseph L. Mankiewicz. The screenplay was adapted by Sidney Buchman, Ben Hecht, Ranald MacDougall, and Mankiewicz from a book by Carlo Maria Franzero. The film starred Elizabeth Taylor, Richard Burton, Rex Harrison, Roddy McDowall, and Martin Landau. The music score was by Alex North. It was photographed in 70 mm Todd-AO by Leon Shamroy and an uncredited Jack Hildyard.
Cleopatra chronicles the struggles of Cleopatra VII, the young Queen of Egypt, to resist the imperialist ambitions of Rome.

Despite being a critical failure, it won four Academy Awards. It was the highest grossing film of 1963, earning US $26 million ($57.7 million total), yet made a loss due to its cost of $44 million, the only film ever to be the highest grossing film of the year yet to run at a loss.

The film is infamous for nearly bankrupting 20th Century Fox. Originally budgeted at $2 million, the budget eventually totaled up to $44 million — the equivalent of $320 million in 2010 dollars (see the List of most expensive films to produce), making the movie the third-most costly ever produced worldwide and the second most expensive in the United States after Pirates of the Caribbean: At World's End, which had a budget of US$300 million (accounting for inflation in each case). This was partly due to the fact that the film's elaborate, complicated sets, costumes and props had to be constructed twice, once during a botched shoot in London and once more when the production relocated to Rome.

Filming began in London in 1960. Mankiewicz was brought into the production after the departure of the first director, Rouben Mamoulian; in the early stages of the project, before the casting of Elizabeth Taylor, Mamoulian is said to have favored African-American actress Dorothy Dandridge for the lead role. Mankiewicz inherited a film which was already $5 million over budget and had no usable footage to show for it. This was in part because the actors originally hired to play Julius Caesar (Peter Finch) and Mark Antony (Stephen Boyd) left due to other commitments. Mankiewicz was later fired during the editing phase, only to be rehired when no one else could piece the film together.

Elizabeth Taylor was awarded a record-setting contract of $1 million. This amount eventually swelled to $7 million due to the delays of the production, equivalent to over $47 million today. Taylor became very ill during the early filming and was rushed to an emergency room where a tracheotomy had to be performed to save her life. The resulting scar can be seen in some shots. All of this resulted in the film being shut down. The production was moved to Rome after six months as the English weather proved detrimental to her recovery, as well as being responsible for the constant deterioration of the costly sets and exotic plants required for the production. (The English sets were utilised for the spoof Carry On Cleo.) During filming, Taylor met Richard Burton and the two began a very public affair, which made headlines worldwide. Moral outrage over the scandal brought bad publicity to an already troubled production.

The cut of the film which Mankiewicz screened for the studio was six hours long. This was cut to four hours for its initial premiere, but the studio demanded (over the objections of Mankiewicz) that the film be cut once more, this time to just barely over three hours to allow theaters to increase the number of showings per day. As a result, certain details are left out of the film, such as Rufio's death and the recurring theme of Cleopatra's interaction with the gods of Egypt. Mankiewicz unsuccessfully attempted to convince the studio to split the film in two in order to preserve the original cut. These were to be released separately as Caesar and Cleopatra followed by Antony and Cleopatra. The studio wanted to capitalize on the publicity that the intense press coverage the Taylor-Burton romance was generating, and felt that pushing Antony and Cleopatra to a later release date was too risky. The film has been released to home video formats in its 243-minute premiere version, and efforts are under way to locate the missing footage (some of which has been recovered).

Any help identifying the provenance of this piece would be greatly appreciated.


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